31 december 2011

Amsterdam trip

Samen met mijn goede vriend Frank Peters hebben we een mooie trip gemaakt naar Amsterdam. De auto geparkeerd op de NDSM-Werf en van daaruit met de pont naar het Centraal Station. Heerlijk doorwaaien op het water.

Een dag om te chillen, te genieten en vooral om ook de nieuwe spullen uit te testen. Zelf had ik de NEX5n mee met 2 lenzen, de Voigtländer 15mm en de Leica Summarit 35mm. Frank was op pad met zijn Leica R configuratie.

Je ontmoet in de onderstaande beelden hier ook een mooie vrouw waarmee we gepraat hebben die dakloos is. Ze was geld aan het inzamelen om de dag door te komen om daarna naar de opvang te gaan en daar te helpen met hand en spandiensten. Dit soort momenten zijn goud waard.

Ook zijn we naar de Occupy geweest op het Beursplein. Wat een puinhoop daar zeg. Niemand aanwezig, alleen maar een grote tent met veel troep en afval. Lijkt totaal zinloos. We wilden eigenlijk wat demonstranten spreken maar dat ging dus niet door aangezien het verlaten was.

Terug gewandeld in de stromende regen naar de boot en uiteindelijk in een restaurant aan het water op de NDSM-werf heerlijk wat koffie genomen met gebak om ons kleine avontuur af te sluiten. Na thuiskomst hebben we gelijk een filmrolletje ontwikkeld zodat Frank die 's avonds mee naar huis kon nemen.

Hieronder het beeldverhaal van die dag inclusief wat beelden van mezelf zodat je kan zien hoe klein en onopvallend de NEX5n is met dit soort super lensjes. De foto van de dakloze vrouw heb ik gemaakt met de ultra kleine 15mm, vandaar dat ik ook zo dichtbij sta. Maar dat maakt ook dat je als kijker meer betrokken bent. De beelden van Frank zijn te zien op zijn eigen weblog...

























05 december 2011

Publicatie in Le Point




Afgelopen week een leuke publicatie van mijn werk in een bekend Frans blad "Le Point". Het blijft gaaf om een blad in handen te hebben waar je eigen foto in staat. Hieronder nog even de grotere versie van de foto. Het gaat om het KPMG gebouw langs de A9. De architect is Marcel van de Schalk en heeft een bijzonder gebouw ontworpen. Het gebouw is tot winnaar verkozen voor de Saint Gobain Gyproc Throphy 2011. Het is ook voor fotografen een interessant en indrukwekkend gebouw om te fotograferen met al die lijnen, vormen, weerspiegelingen etc.. Het voelt toch wel als een eer dat uit al die vele foto's die al zijn gemaakt van het gebouw de mijne uitgekozen werd.

27 november 2011

What the bleep is this???


What the F^$#@ is this?? many people ask me. Well, this is my new killer gear! WOW. People love it or hate it.

I'm trying to step into the new photographers era. This is the first step.

With special thanks to Cameratools for the great support and my dear friend Frank Peters for psychological assistance:-)

15 november 2011

Olympus PEN E-P3 review for interior photography


Thanks to Olympus I could test the nice PEN E-P3. I'm an interior photographer on a daily basis and always searching for new solutions to make life easier. This test is not a scientific approach but based on use in practice. AND.... for use in real estate photography and not for HQ interior photography!

A camera like a PEN is much smaller than the Canon DSLR-gear I use. That would be great to travel light with small lenses! But the big question is; "Can an Olympus PEN E-P3 be used for real estate photography?". After testing I can say;"YES!". Will I trade my gear for the PEN? hard to say, still thinking about it. Why?................ read on:

SETUP
The tests are done with the PEN E-P3, 9-18mm Zuiko lens and 12mm Zuiko lens (cropfactor is x 2). My DSLR setup is a Canon 5D with 17-40mm lens (fullframe camera). With both systems I used multiple external flashes triggered by Cactus V5 remote control.

USABILITY
Wow, this camera body feels great, very solid. Most of the buttons and wheels are freely programmable. This makes it easier to access controls to your needs. I always use my camera in manual mode so I programmed the PEN in the most convenient way. What is interesting is that you can program a button to make a testshot. The camera takes a picture and will show that but doesn't write it on the card. Very useful for setting up the flashes without having to delete the testshots.

Most of the time I set the focus to manual. With your finger you can drag a point through the liveview picture and  with a button you can zoom in at that point. Very fast an accurate way to focus on the subject. There are also many ways to show settings in the display. I like the digital level gauge. In interiors I always use a spirit leveler on top of my body but now this is in camera and you can see all the movements on the display, great!

Viewing pictures is like a smartphone or tablet pc. You can slide with your fingers. With a double click you can zoom in and drag  the zoomed picture. An intuitive way to work.


LENS TEST
Both lenses are small but feeling very solid. The 12mm is a beauty, and creates very sharp pictures throughout the corners.

On the right a comparison of the two lenses in sharpness and corner sharpness.

The 9-18mm is slightly less sharp in the corners and has little chromatic abberation (CA). The 12mm is a really excellent lens.

The Canon 17-40mm produces more CA and less corner sharpness than the 9-18mm! But all easy to correct in today's software.



NOISE
The PEN has much more noticeable digital noise than my old 5D. I always shoot RAW so I could perfectly compare the pictures. But on ISO 200 it's a close finish but above ISO 500 the PEN loses detail. Of course you can denoise with the best plugins available but you won't get more detail, and that's what you need in interior or exterior. But ISO 200 to 320 no problemo. I hope the future M4/3 sensors will be better, not better denoise processing but even better sensor quality.

For street shooting and creative photography I don't mind the noise at all! Most of the time I do not denoise any pictures, I like noise (but not in interior).

On the left you see a comparison chart. These are 100% crops of this exterior view on the right. For best viewing, download the chart and zoom to 200%. Above ISO 500 the noise of the PEN increases more than the 5D. But for normal real-estate pictures which are viewed up to about 1600 pixels it's no problem to shoot up to ISO 800 or 1200 (exterior). For interior my personal limit is ISO 500 with both cameras. I always shoot with tripod so longer shutter speeds are okay.


BARREL DISTORTION
What about barrel distortion? In tight places such as small bathrooms vertical lines of tiles or shower can be near the lens. This is not pleasing for the eye and certainly not a nice presentation of the reality. But how does the distortion compares to Canon's 17-40mm L lens? How can I test this in real life? A simple test is to stand close to vertical lines and I took a garden door. The images are imported into Lightroom as RAW and exported with no lens corrections at all. You can see the 17-40mm is performing almost the same as the 9-18mm. This can easily be corrected in software. Doesn't have to be an issue. Here are the comparisons:

One thing I did notice with the 9-18mm lens was that it has a little lensflare or lightspill where there is bright light at window frames and some interior lights. Not much but sometimes slightly noticable. Not so much of a problem or disturbing. The picture can look a little dreamy. And the lens has the tendency to emphasize color casts.


HDR
This is fun with the PEN! You can take up to 7 shots with separation of exposure, white balance, ISO, shutter speed and so on. In the early days I always shot interiors with HDR. For those who are doing that this little camera is perfect. Here is a blend of a 7-shot exposure separated HDR.

OTHER THINGS
Sadly Olympus did not had the remote camera trigger to test. So no user report on that. I triggered the camera with a light touch on the back of the screen, nice.

The PEN has a feature inside the camera to remote trigger multiple Olympus flashes. You can control them within 3 groups ETTL. So no more external Cactus, PocketWizard etc.. BUT............... the flashes have to be in reach of the infrared beam. And that's a bit tricky in interiors. The infrared scheme says you can only place flashes in front of the camera. So no placement behind the camera, around a corner or outside a window. This would be a test on its own with at least 4 flashes. But when it works you can have a complete system with only Olympus gear. This makes travelling a lot smaller, it will fit in one small bag. Anyone experience with Olympus cameras and remote flashes within its system? The downside if it works is that the flashes are very expensive.

One annoying thing is with my ground plate of the ballhead. This will block the hood of the battery and card compartment. Every time when I'm home I have to unscrew the plate to get the memory card.

You can create great real estate pictures. More than enough for most real estate assignments. What I have noticed is that it is harder to make an image pop out. Stronger curves, more contrast, more color correction is needed than with the Canon. And the PEN is not so forgiving as the Canon. With the Canon files you have more room to play with exposure and fill light in post production. There is more headroom. The Canon has a higher dynamic range. So with the PEN you have to work harder on the scene.

FINAL THOUGHTS
I can only tell the pros and cons with my experience. So this next list is purely based on my way of working:

PROS

  • liveview with touchscreen
  • very solid system
  • small system
  • nice lenses, some very very good
  • good image quality
  • normal hotshoe which fit in my system
  • chromatic abberation and barrel distortion easy to correct
  • liveview level gauge
  • great HDR features
  • buttons can be programmed to your needs


CONS

  • high price for complete Olympus body and lenses
  • 9-18mm lens gives sometimes a dreamy effect (with bright sunlight shining in interior)
  • 9-18mm emphasize local color casts
  • a bit flat image, you have to tweak much
  • smaller dynamic range than the Canon
  • more digital noise than the Canon


My wishlist:

  • more dynamic range
  • a on-board viewfinder (EVF) so you still can use the hotshoe
  • angle adjustable LCD
  • memory card accessible from side
  • better signal to noise ratio in sensor
  • wireless remote camera trigger


My next step is to test a APS-C sensor type camera like the Sony NEX-7 or NEX-5n. The only problem is that there are still not small lenses for this camera. I will use Leica M-mount lenses, these are small but not many choice in zoom lens. So maybe the next generation PEN for real estate and a NEX7 for all other stuff?

I'll end up with some difficult interior images all done with the PEN E-P3 at ISO 200 and 320






22 oktober 2011

Olympus PEN E-P3 first result

After one day playing and exploring the camera it was time to test the camera in an interior. So yesterday I've photographed a kitchen with the Canon 5D and the PEN.

The PEN has so much possibilities to tweak it to your hand that it took some time to get really started. The testshots on the back are very clear to see and you can swipe through each image or use the dial. With a double finger click on the back you can zoom in and drag.

The lens was set to manual focus and with the loop point you can focus with precision. Olympus didn't had a remote cord so I have to trigger the camera on the trigger button or on the back of the screen.

This is only the first test, the final review will be here in about two weeks. But I'd like to show you my progress. In this setup I set both cameras to ISO 200 and aperture f8.0. And I used the exact speedlights placement and flash power. In this shot 4 speedlights are used triggered by the Cactus V5 system.

Here are the two results. If you click on an image you can see the 1600 pixel size output (the limit of Blogger). I always process the images in Lightroom with minimal adjustments and almost no noise reduction. I have treated both images as I would normally do in post production. Nothing fancy. And I have to say that I was very impressed with this first test.


The Olympus has also a great bracketing function. I took a 7 exposure bracketing (easy to set in the menu) and processed it with PhotoMatix Pro 4 (enfused). This is much better than the 3 brackets in the Canon. With 7 brackets you can set the exposure by 0.7Ev apart. Just enough for smooth transistion between the exposures. The result:
Olympus PEN E-P3 7 exposure HDR

So far so good! Later on I will record a video to show you all my steps.

Today I am photographing exterior. And next on my list is shooting interior with higher ISO, barrel distortion in tight places like a bathroom. On monday I take the PEN on a real job and try to take the same pictures as the 5D for comparison. And maybe, really maybe leave the 5D at home end of next week to shoot only with the PEN. That will be exciting.

If you are interested in the original RAW file please give me an email so you can post process yourself.

Stay tuned form more!

Ruud

Related blogposts:

20 oktober 2011

Can a Olympus PEN E-P3 be used for serious real estate photography?

In the next two weeks I will find out about the quality of the PEN E-P3 for real estate photography.

Olympus PEN E-P3 with 9-18mm vs Canon 5D with 17-40mm

The last half year I am trying to travel lighter. My speedlights and stands are very lightweight but my camera system is still heavy and big. I use my gear almost everyday for real estate photography. The setup is like many of us out there a Canon 5D, 17-40mm L lens and 4 speedlights (remotely triggered).

My goal is to sell all of my Canon bodies and heavy lenses in the next year and work with smaller system cameras (like the PEN or upcoming Sony NEX7). Good lenses and system cameras will cost you almost the same or more as a good DSLR setup. But you can travel very light and that's what I want. For high-end interior and architecture I'll stay with a Large Format system but is overkill for normal RE work.

Instead of instantly invest in a system camera I looked for reviews of the PEN. There are many out there and it must be a great camera. But I couldn't find a review about these type of cameras in the real estate community. So I hope I will help the ones that are, just like me, about switching camera gear.

Olympus Netherlands was kindly enough to send me a PEN E-P3 for review, YES! I can use the PEN in practice and tell you all about it.

The tests I will do the next two weeks:

  • Image quality PEN vs 5D (as used for real estate photography)
  • Barrel distortion
  • Usability on the road
  • HDR for interior & exterior
  • Searching the limits


This review will not be about the practice of real estate photography because there are great guys out there who are writing about it: Scott Hargis, PFRE, RE Photography Podcast and many more...

This review will be about the use of a PEN (as soon as the NEX7 is avaiable this will be reviewed too) in professional real estate photography.

I will inform you about the progress (hopefully in proper English) via this blog and Twitter (@ruudlegdeur)

So join me on this adventure. Let me know in the comments about your thoughts and what you think I have to test besides whats mentioned (please concentrate on RE Photography).

Ruud

Related blogposts:

09 september 2011

Review Redged RNB-3

After the review of the Redged RT-1 I could trade that one for a RNB-3. A little more expensive but a much better build quality and locking system.

I have been using the RNB almost every day for the last couple of weeks . In my work for real estate I was looking for a lighter solution than my Manfrotto 229. The Manfrotto is extremely well build and great for architectural photography but heavy for lighter work. This, very big, Manfrotto has three handles for all movements. You've got precise control. With a ballhead you have to stir/move to get level with the camera. It is more difficult due to the many movements at the same time. After using the ballhead for weeks I have become mastering it.

Okay, back to the RNB-3. What I really love is the plate mount. The plate must be screwed under the camera. The plate fits nicely in the mount rail of the head. And you have to tighten the plate with a knob. This is very sturdy and keeps it all locked very well. What I don't like is that you've got to screw the plate on camera with a coin or something. Why not with a clip like a Manfrotto 234RC? Now I have to hang the coin round my neck 'cause I have to unscrew the plate every time for camera use on a pole.

The knob to tighten the ball feels very good. You have to turn it many times to tighten en loosen but eventually you get used to it. But for me it would be great to lock it with short turns.

The knob for rotating the whole head is for my copy not that great. The plastic knob was glued a bit off center so by every whole turn it turns somewhat stiff. But you don't need to turn much to tighten the head and fortunately for this copy it's just before the knob tuns stiff.

As with the RT-1 there is no problem at all to tighten the ball in use with heavy camera's and big lenses. My biggest lens is a 70-200mm and that works great!

What I miss is a bulb/spirit leveler in the head. I always have to mount a leveler in the hotshoe te level the camera.

The indicated degrees on the head are not so precise. The spacing is inconsistent. It is nice to have certain indication but for precise movements it's not reliable.

There is one thing extremely annoying for me. When you put the camera plate without the camera on the mount the screw of the plate falls down and prevents to get the plate in. You have to hold the tiny thread with your fingers and lock with the other hand. I can't get used to that.

So here are my pro's and cons:

Pro's:

  • great build quality
  • will easily hold a pro camera body at least with a 70-200mm lens
  • nice design and not so chunky
  • plate tightens very well
  • great for everyday professional use


Con's:

  • use of a coin to screw and unscrew the camera plate
  • tightening the ballhead with many turns
  • the indication of degrees inconsistent
  • no spirit leveler
  • putting camera plate on mount without the camera is very annoying


Good price for the quality you get!